Archive for the ‘Workshop’ Category

Workshop: The Great Highland Bagpipe

Monday, September 26th, 2011

A set of Scottish Great Highland Bagpipes consists of an air supply, a bag, a chanter, and several drones. Air is blown into the bag by blowing into the blowpipe. The inflated bag holds the air while the player applies pressure to pump the air through the pipes.

The chanter is the melody pipe, and is played by two hands. It is open ended so there is no easy way for the player to stop the pipe from sounding. Because of this, grace notes and embellishments are used when playing. The Great Highland Bagpipe has three drones, a bass drone and two tenor drones. A drone has a single reed, and is designed in two or more parts, with a sliding joint so that the pitch of the drone can be adjusted.

Bagpipe

Learning to play the bagpipe is a process that takes several steps. It is best to begin with a practice chanter to learn the finger positions. After becoming proficient on the practice chanter, transition to the bagpipe can begin. At first, the drones are corked to allow for less airflow (called “Playing the Goose”) so the student can find it easier to learn arm, breath, and finger control. The drones should be uncorked one at a time as skills improve.

Workshop: Basic Ukulele Chords

Tuesday, June 21st, 2011

You just received your new ukulele, you have never played a uke before, and you cannot wait to play something! Strumming along to some of your favorite songs is easy if you know where to put your fingers. To get started, here is a fingering chart of a few very basic chords. The dot is where your finger goes and the number suggests which finger to use. You will also find a guide for standard ukulele tuning. For a version you can save to your computer or print click here.

Ukulele Fingering Chart

Workshop: Learn about the Ocarina

Sunday, April 17th, 2011

Here is how an ocarina works. Air enters as you blow through the windway. Once inside, the air strikes the labium, or rectangular hole, and produces a sound. The sound reverberates throughout the inside of the ocarina. By covering and uncovering the round soundholes, you lower or raise the pitch.

The ocarina is different from other flutes because it does not rely on pipe length to produce a particular tone. Instead, tone variation depends on the total surface area of opened holes to the interior volume of the ocarina. This means that, unlike a flute or recorder, sound is created by resonance of the interior chamber, and hole placement is not important. It is the number of open holes that makes the difference.

Knowing this, learning to play the ocarina is fun and not overly difficult. The first step is to learn where to place your fingers to play the notes you want. To make this a little easier, here is a handy fingering chart for our 6 hole ocarina. For a printable version click here.

Ocarina Fingering Chart